The sound engineer has been around since the early days of recording. He was there when Edison invented his phonograph. In fact, he was the man who recorded the very first record ever played on radio. Today, engineers still play a vital role in creating music. But, unlike the past, today’s engineers must be able to multitask. They must be able to handle multiple projects simultaneously while maintaining quality control. To accomplish these goals, they rely heavily on mixing consoles.
A mixer console is essentially a box where you can plug in different instruments and effects units. Each instrument has its own input and output jacks. For example, you could connect a guitar into the input jack and listen to the signal coming out of the output jack. Then, you could turn the volume knob on the guitar and adjust the level of the signal. This process is called “mixing” because you are combining two signals together.
Engineers use mixers to create mixes. They take several tracks of music and combine them together to form a final song. There are many ways to achieve this goal. One way is to use a multi-track recorder. Another method is to use a single track recorder and manually edit each individual track. Yet another option is to use a digital audio workstation (DAW). All three methods require a good amount of skill and experience. However, none of them allow you to quickly change settings and see results immediately.
Digital audio workstations are software programs designed specifically for musicians. With a DAW, you can manipulate sounds and apply effects to them. You can cut, copy, paste, loop, reverse, fade, pan, mute, solo, and trim sections of songs. You can also automate processes to speed up the creation of songs. Using a DAW gives you complete creative freedom. You can experiment with different sounds and styles until you get exactly what you want. Once you've created a perfect mix, you can export it to CD or MP3 format.
There are numerous benefits to using a mixer. First, it lets you hear the finished product right away. Second, it saves you money. Third, it reduces the risk of losing important information. Fourth, it improves your skills. Fifth, it increases productivity. Sixth, it promotes creativity. Seventh, it enhances teamwork.
Soundcraft has been around since the early 1980’s and has become a household name within the music industry. Their products are known for being reliable and durable. With the introduction of the EP-9 High Performance Channel Audio Mixer, Soundcraft continues its tradition of providing top notch equipment while maintaining affordability.
High Performance Channel Audio Mixer - The EP-9 features two channels of 24bit/96kHz digital mixing and recording. Each channel offers independent gain control, stereo panning, and phantom power. In addition, each channel includes a dedicated headphone output and XLR microphone input.
Dual Microphone Inputs – The EP-9 features dual inputs for microphones. One mic input accepts line level signals (48V Phantom Power) and the second accepts balanced signals (XLR). Both inputs accept standard condenser mics and dynamic mics.
Stereo Panning – The EP-9 features stereo panning which enables you to position both vocalists and instruments in front of the listener.
1) USB connectivity - USB connectivity is very important because it enables you to connect your sound card directly into your PC. In addition, it saves you the hassle of connecting cables between your soundcard and your mixer. With USB connectivity, there is no need to install drivers on your computer. Simply plug-in the cable and start mixing!
2) Input/Output jacks - Input/output jacks allow you to connect external devices such as microphones, instruments etc. to your mixer. There are two types of input/output jacks available - XLR & 1/4 inch TRS. Both these connectors are standardised internationally and therefore, most manufacturers follow suit. However, each manufacturer has its own proprietary connector type which is unique to itself. So, be careful while purchasing a mixer. Make sure the jack type matches the inputs and outputs of your sound card.
3) Stereo line output - Stereo Line Output (SLO) is another useful feature provided by many modern mixers. SLO allows you to send stereo signals to multiple destinations simultaneously. This feature is especially helpful when you wish to record vocals or guitar along with drums and bass. Using SLO, you can route the signal to different tracks on your recording software. Thus, you can create a multitrack recording session where you can record several instruments at once.
Soundcraft has been making professional quality mixing consoles since the 1970’s. Today, they continue to innovate and develop products that meet the needs of today’s recording studios. Their mixer line includes both analog and digital models. Analog mixers include the M-series console, which was introduced in 1978, and the EPM series, which was released in 1989. Digital mixers include the DMX Series (introduced in 1999), the DSP Series (introduced in 2003) and the X32 Series (introduced in 2009). Each type of mixer offers different features and benefits. Let’s take a closer look at each type of mixer.
The most popular analog mixer is the M-Series Console. This mixer is designed specifically for live sound applications. Its compact design makes it easy to transport and set up. In addition, its large number of inputs and outputs allow users to connect multiple microphones and instruments simultaneously. The M-Series Console comes equipped with two XLR mic preamps, four stereo channels, eight mono channels, six aux sends, three balanced TRS jacks, and a master output jack. Users can control the volume level of each input/output individually via the front panel controls. There are also several assignable buttons located around the top edge of the console. For example, there are buttons labeled “LFE” and “Dry” that enable users to adjust the low frequency effects and dry levels respectively. Another button called “Pan” enables users to pan left or right.
Another advantage of the M-Series Console is its ability to handle a wide range of frequencies. With a maximum bandwidth of 100 kHz, the M-Series Console is capable of handling signals ranging from 20 Hz to 20 kHz. However, the M-Series Console does not have a built-in limiter circuit. Therefore, users must be careful when monitoring loud sounds. To avoid damaging speakers, monitors, or headphones, users should monitor only during quiet periods.
The next best option for studio engineers is the DMX Series. This mixer is ideal for small to medium sized studios because of its smaller footprint compared to the M-Series Console. Like the M-Series Console, the DMX Series supports a variety of signal processing functions including limiting, compression, EQ, reverb, delay, chorus, flange, phaser, rotary speaker simulator, and noise gate. Unlike the M-Series Console, however, the DMX Series does not have a headphone socket.